"钢铁侠 第一季" 搜索结果, 共2个
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少年钢铁侠 第一季
第26集 类型：暂无 上映：2009-04-24Iron Man: Armored Adventures (also known in early promotional materials as Iron Man: The Animated Series) is an American/French 3D CGI cartoon series loosely based on the Marvel Comics superhero Iron Man. It debuted in the USA on the Nicktoons on April 24, 2009, and it aired on Canadian network Teletoon. The series is story edited by showrunner Christopher Yost,[4] who also worked on Wolverine and the X-Men, and numerous other Marvel Animation projects. The television show is not related to the 2007 animated film The Invincible Iron Man; it has a different voice cast, but some story elements are similar and the show uses the same musical score as the film in some instances. It is the first Iron Man television series since Iron Man from 1994–1996, and started airing after the success of the live action Iron Man film.
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钢铁侠 第一季
第13集 类型：暂无 上映：1994-09-24The first season of Iron Man featured little more than a Masters of the Universe-style battle of "good against evil", as billionaire industrialist Tony Stark battled the evil forces of the world-conquering Mandarin as the armored superhero, Iron Man. In his evil endeavors to steal Stark's technology and Iron Man's armor, the Mandarin led a group of villains consisting of Dreadknight, Blizzard, Blacklash, Grey Gargoyle (when it comes to fighting Iron Man and his team, he has a tendency to accidentally turn his fellow villains to stone), Hypnotia (an exclusive villain whom Dreadknight and Blacklash were rivals for the affections of), Whirlwind, Living Laser, MODOK, Fin Fang Foom, and Justin Hammer. To combat these villains, Iron Man had the help of his own team (based on Force Works, a then-current comic book team which has since faded into obscurity), including Century, War Machine, Scarlet Witch, Hawkeye (replacing U.S. Agent from the comics) and Spider Woman. The season consisted mostly of single-episode open-and-shut-case adventures, with two two-part stories late towards the end. Unlike many other Marvel animated series, despite featuring over-the-top titles that paid homage to the early Stan Lee written Marvel comics of the 1960s (for example, "The Grim Reaper Wears a Teflon Coat", and "Rejoice, I am Ultimo, Thy Deliverer"), almost none of the episodes were adaptations of comic book stories, consisting instead of original stories penned by Ron Friedman, occasionally collaborated on by Stan Lee himself. The closest the season came to adapting a comic book tale was in the two-part "The Origin of Iron Man", which recounted a (modified and modernized) version of the character's comic book origin (see below) just before the season concluded. This late-run recounting of the title character's origin is symptomatic of what is generally thought of as the season's greatest weakness – despite (or perhaps because of) having such a large cast of characters, very few of the show's heroes and villains were actually developed in any way, leaving viewers unaware of their personal stories and powers. The show is generally held to have been at its best when filling in these origin blanks (MODOK in "Enemy Without, Enemy Within," Iron Man and the Mandarin in their self-titled "The Origin of..." episodes), but these were rare occasions, with virtually every other plot simply consisting of the Mandarin attempting to steal Stark's newest invention and being bested, often through very strange and illogical means (with the nadir perhaps being Iron Man somehow using the energy of a small tape-player to restore his armor to full power in "Silence My Companion, Death My Destination"). A small sub-plot in the first season revolves around Mandarin secretly spying on Force Works. It culminates in "The Wedding of Iron Man" when Stark realizes they have been spied on by reviewing events from previous episodes (and explaining how Mandarin's forces always knew where they would be), realizing that Mandarin has acquired enough information to potentially deduce the true identity of Iron Man. The entire episode's plot is dedicated to resolving the problem, culminating in Iron Man and his team setting up an elaborate deception where Mandarin sees Iron Man and Tony Stark in the same place with the intention being to convince him that the two men are not the same person (the 'Tony' in this situation was an android). In this first season the subtle keyboard's main theme is created by the legendary progressive rock artist Keith Emerson, most known today for his work on the supergroup Emerson, Lake & Palmer and for his soundtrack for Dario Argento's horror Inferno.