大风呼啸不止的寒冷冬夜,衣不蔽体的老奶奶正奋力赶路,突然,一个会发光的毛线球滚到她脚下,老奶奶将它捡起,可是因为毛线实在太少,又将它放下准备继续赶路。这时,毛线球变身成为一只毛线小羊,老奶奶惊喜地发现,这只小羊是取之不尽的宝库,她用它不仅编织出取暖用的衣物,还编织出温暖的房间和各种日常用品。 老奶奶生活条件的突变引起穷苦邻居的好奇,他们纷纷来到她的门前一窥究竟,老奶奶将小羊藏好,邀请他们进屋,并秘密地继续编织出各种高档用品。优美欢快的音乐声中,穷困的人们相拥起舞,老奶奶瞥见自己皱纹纵横的脸,想着编织出一张年轻的容颜,她不知道的是,躲在暗处的小羊此时已精疲力竭。 面向成年观众。本片基于Ovsey Driz的童话故事改编。
歌唱家来到练歌房准备练声,见里面矗立着一头巨大的怪兽,吓了一大跳,但他仍走到钢琴前坐下,开始弹奏起钢琴来,这时,怪兽发出不和谐的怪叫,歌唱家回头盯视,怪兽停止发声。 歌唱家以为可以好好地练习歌喉了,哪知他刚开口歌唱,怪兽就又发出更难让人忍受的怪声。无奈,歌唱家开始和怪兽抗争,但终苦苦哀求它手下留情。怪兽并不领情,相反一口将歌唱家吞噬。再张口发出动人的歌声时,怪兽满意地离开了练歌房。 面向成年观众。
Hans was making bread and North Wind was blowing all the flour out of his bowl. He decides to visit the North Wind in his castle to ask him to stop and for compensation. Based on a Norwegian fable…
In half a minute, a person who braked at a traffic light has time to look at the screen of a special roadside demonstration device-a movie comic-a “lightweight” version of the creation of the great classic Shakespeare based on the tragedy “Othello”. A parable about how modern civilization devalues world culture.
著名“疯子”导演拉斯·冯·提尔在11岁时8mm摄像机自制的2分钟定格动画短片。
Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye
For centuries, the Murgatroyd family, the Baronets of Ruddigore, have been under a witch’s curse — commit a crime every day, or die in agony. Sir Ruthven Murgatroyd, the rightful heir, has run away to live as innocent peasant Robin Oakapple in the Cornish village of Rederring, sticking his brother Despard with the curse. But on the very day that “Robin” is to marry sweet, beautiful Rose Maybud, it all falls apart. Can Sir Ruthven outwit a picture gallery full of his ancestors’ ghosts to save the day?
著名实验导演斯坦·布拉哈格(Stan Brakhage)花了一年时间拍摄后进行胶片直接作画的短片,也是他作品中最短的一部,只有九秒,试图复制眼睛一瞬间所捕捉到事物的神秘感。
Short animated cartoon about a lonely little fellow who walks down a road and keeps picking flowers, which out of the blue turn up in ever larger numbers. Driven by desires that grow in intensity as the bouquet expands, in the realm of dreams he meets three women who literally outgrow him. When finally, with a final effort, he picks the only flower left, the little lad collapses under the burden of his craving.
该动画片刻意模仿苏维埃间谍片风格,可是其中的紧张与刺激,更像一个笑话。 高官在电视上看到敌国有高级换牙设备,可怜起自己受难的牙齿,立刻召来下属,布置下要把该设备偷偷弄来的任务,听命的下属二话不说找来正各行其事的三个能干的特工。敌国听闻风声,自然也不甘落后,同样布下天罗地网。于是,一场间谍战与反间谍战自此开始,敌我两方几乎不分职业不论长幼全民皆间谍(连猫也变得异常警惕),开始了上天入地的明暗争斗。——一切招数用尽,到头来不过是个巨大讽刺。 模仿一些苏联侦探电影。外国侦探负责人通过间谍的方式,试图接收一个新的苏联牙科手术扶手椅。苏联侦察兵打破了这些计划。
许多亿年前,恐龙与其它动物和平友好地在地球上生活。像许多动物一样,它们延续物种的方式是雌雄结合生子,通常,母恐龙产下蛋宝宝后,会把它放在离太阳最近的山顶,太阳的热量能使这些恐龙蛋孵化出一个个小恐龙。 后来,地球的环境越变越糟糕,气温逐渐降低,当恐龙蛋再被放到山顶时,太阳已经不再能给它们孵化出小恐龙的热量。再后来,恐龙这种动物从地球上消失不见。 这是一个有关成长的寓言。恐龙因为过分呵护自己的孩子而灭绝:小恐龙们不能独自解决生活中的困难,最终使得整个恐龙族群毁灭。
A short continuously looping animation of six grotesque human figures vomiting.
The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".
홍정승의 서자로 태어난 길동은 봉건사회제도에 반발하여 의적이 된다. 그는 활빈당을 조직하고 탐관오리들의 재물을 탈취하고 응징하며 빈민들을 구제한다. 이에 조정에서는 그를 잡아 들이려고 백방으로 노력하지만 허사였다. 마침내 길동은 율도국을 창건하고 스스로 왕이 된다.
An adaptation of Mimei Ogawa's short story. It was a night with a beautiful moon. An optician visited an old lady who was living in a house alone just outside of town. Since she has gotten older and her eyesight has weakened, she bought a pair of large-rimmed glasses made of tortoise shell...
his animated short proposes what many earthlings have long feared – that the automobile has inherited the planet. When life on Earth is portrayed as one long, unending conga-line of cars, a crew of extra-terrestrial visitors understandably assume they are the dominant race. While humans, on the other hand, are merely parasites. An Oscar® nominee, this film serves as an entertaining case study.
A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.
To create his “Poemfields” (1965-71) series, VanDerBeek worked closely with computer scientist Ken Knowlton and the staff at Bell Labs. Each “Poemfield” was adapted from poems by VanDerBeek, programmed on an IBM 7094 computer in black and white using a custom language known as BEFLIX, and colored after the fact by artists Robert Brown and Frank Olvey. Poemfield No. 2 features a soundtrack by jazz percussionist Paul Motian, known for his collaborations with Bill Evans.
James Whitney’s Lapis (1966) is a classic work of abstract cinema, a 10-minute animation that took three years to create using primitive computer equipment. In this piece smaller circles oscillate in and out in an array of colors resembling a kaleidoscope while being accompanied with Indian sitar music. The patterns become hypnotic and trance inducing. This work clearly correlates the auditory and the visual and is a wonderful example of the concept of synaesthesia.
In this experimental animated short, Ryan Larkin creates a series of figures who move across the screen and disappear into a hole. Eventually, the hole metamorphoses into a bridge, on top of which stands the young man from whom the other figures originated.