水をくみにきて井戸に落ちてしまった女の子は、パンやりんごの木、おばあさんを助け、素敵な贈り物をもらって帰る。それを見た姉は自分も井戸に落ちるが、悪い行いのせいで贈り物をもらえず、自らの行いを反省する。
A young chambermaid finds a neglected nutcracker under a Christmas tree. It comes to life, but the Nutcracker is really an enchanted prince.
An old cowboy is walking across the prairies. It seems that he has experienced everything. However, he will have to face his opponents a few more times - maybe it will be for real, or maybe it will take place in his mind.
Aanklacht tegen de oprukkende verstedelijking. In een statisch shot wordt het verhaal van een vlinder verbeeld, wiens levensruimte steeds verder wordt beperkt door de bouw van huizen en fabrieken. Nieuwbouw vult in rap tempo de groene omgeving van de vlinder totdat deze, opgeprikt en ingelijst, aan de muur eindigt.
Hale and Lamb’s Last Cartoon Man is a fine and funny example of a meta cartoon – a cartoon that knows it’s a cartoon.
本动画片有两个版本,其中约4分钟的版本是在约12分钟的版本基础上进一步剪辑而成。 约12分钟的版本中,中间约11分钟的动画部分由现实中在机场拍摄的女子照片引入引出。女子上路准备去偶像切•格瓦拉的故乡顶礼膜拜一番,刚下飞机,她即走进历史深处。在中年盲男人的带领下,她穿过由过去的时间构筑的阴森的城堡来到某段路的尽头(不妨称为悬崖),看到切•格瓦拉在远处召唤她,但她眼中的安详和睦景象,在虽然看不到的盲男人眼里,不过是末世之景,盲男人在此一跃了却了生命,吃惊的女子继续遭遇更多令她惊恐的物事,当终于在宁静的海边得到偶像的安慰时,温暖仍是幻相。
本短片用拼贴手法将现实中的新闻照片糅合进由简练线条勾勒的动画里,讲述了所谓的现代文明是多么喜欢不理不睬孤立无缓的小人物。 一个被困在某个荒岛的落难者向路人求救,一艘艘船、一个个人从他面前经过,都是要么当作没看见,要么好奇地打量一番扬长而去。后来,某个国家的军队野蛮地插上国旗,将该荒岛视为本国领土。接着,媒体蜂拥而至,对他问长问短;科学家纷纷到访,拿他做实验品;旅游者一时兴起,向他推销各种无用的广告;资源开发商瞧见商机,将该岛资源采劫一空。没有人注意到,这位无助的落难者只想离开这座荒岛,回到自己的家。 短片揭露了资本主义社会对人的残酷和冷漠。
Зима. В лесу живут Лиса и Заяц. Первая живёт в «ледяной избушке», второй — в «лубяной». Лисья избушка красивее, но — вот беда! — по весне она тает, и Лиса решается на захват жилища Зайца. Используя преимущество в физической силе, она достигает этого без особого труда, и бездомный Заяц идёт «куда глаза глядят». На его пути встречается Волк, который, неожиданно проникнувшись бедственным положением Зайца, решает помочь ему выгнать захватчицу, но Лиса, используя словесные угрозы, прогоняет и его. Затем история повторяется при встрече Зайца с Медведем. Следующим ему пытается помочь Бык. И опять-таки безуспешно. Потом Зайцу встречается Петух, который также отправляется выгонять Лису-захватчицу. Используя свою саблю и храбрость, он выгоняет Лису, и остаётся жить вместе с Зайцем. 简介来自俄文维基百科。
Based on Mussorgsky’s Pictures at an Exhibition. This film used two pinscreens. In front of the main pinscreen, they installed a second, smaller one. This second pinscreen could be rotated thus giving more of an illusion of three-dimensionality
Contents Cowboys (1991) Slim Pickin's "That's Nothin'" Murder! The Conformist Outrage! The History of the World (1994) The Invention of Writing The Discovery of Language The Ten Commandments (1994-1996) Thou Shalt Not Adore False Gods Thou Shalt Not Commit Blaphemy Remember to Keep Holy the Sabbath Day Honour thy Father and Mother Thou Shalt Not Kill Thou Shalt Not Commit Adultery Thou Shalt Not Steal Thou Shalt Not Bear False Witness Thou Shalt Not Covet thy Neighbours Goods Thou Shalt Not Covet thy Neighbours Wife Intolerance (2000-2001) Intolerance Intolerance II: The Invasion Other Works The Wind of Changes (1996) The Chain (1997) The Sexlife of a Chair (1998) The Sound of Music (1992)
1973年3月17日公開。テレビ版第5話を上映。
王様は美しい声で鳴くナイチンゲールを大切にしていたが、宝石で作られた小鳥を贈られると、ナイチンゲールのことを忘れてしまう。しかし、病気で倒れた王様を死神から救ったのは、ナイチンゲールの歌声だった。
桃から生まれたももたろうは、おじいさんとおばあさんに育てられ、たくましい子どもに成長した。ある日、村を荒らした鬼を倒すため、犬、猿、雉をお供に連れ、鬼が島を目指して旅に出る。
It was a mix of photography and animation and it took up my whole vacation - sixteen hours a day. I analysed, through a film camera, a loop of thirty-six squarish black-and-white photographs representing a human being moving in a circle. What was the logic of my analysis? I decided to photograph the loop on film and repeat it thirty-six times. During every new repetition I divided the film window which I made in the shape of a square so that in every circle there was an increasing number of subdivisions; today I would say different resolutions. I put a white square of paper in the subdivisions where in the photograph there was a part of a figure; where there was not, I put a black square. I had to rearrange the white and black squares at least a hundred thousand times. On the lens I put a color filter, and then rotated it - but I don't want to bore you. What is most important about this is that not being aware of computer imaging - it was 1970, in Poland - I manufactured my own digitalê processing on film. Strange that I needed twenty-six years of work - including my work during all my next twenty five vacations - to come back to Kwadrat with full awareness and understanding of why.” - Zbig Rybczynski
RAINDANCE plays directly on the mind through programmatic stimulation of the central nervous system. Individual frames of the film are imprinted on the retina of the eye in a rhythm, sequence, and intensity that corresponds to Alpha-Wave frequencies of the brain. Preserved by the Academy Film Archive in 2010.
Production Co: National Film Board of Canada (NFB)
少年正在房间中玩模型玩具,一只映入房间的蝴蝶的剪影将他吸引,扭头看时,他被蝴蝶的美丽震住,抓起网兜跑下楼想把蝴蝶捉住。少年随着越飞越远的蝴蝶跑了许多地方,终在一片花丛中将它捕获放入玻璃瓶中,随后,他又捉了好几只美丽的蝴蝶。 少年躺在花丛中进入梦乡,他看到一只特别漂亮的蝴蝶,兴奋地抓起网兜去捕,谁想蝴蝶和网兜同时越变越大,跑不及的他反成了蝴蝶的网中之物……梦醒之后,少年意识到自己做了错事。
Executed with Disney-like animation by one of Soyuzmultfilm’s leading directors of films for children. “Plus Electrification” triumphs the USSR’s drive to bring lectricity to every town and village. It was a tenet of Vladimir Lenin that electrification plus oviet power [vlast] would lead to Communism. Electricity is shown dramatically uniting the economies of USSR and the Eastern bloc countries through production of consumer goods like Czech crystal and Hungarian buses.