"Every living thing that shares the planet with us has had to adapt and evolve over millions of years. Every flower, every insect, every animal is a miracle waiting to be discovered, a marvel to be respected and loved. But we like to replace them with our own inventions, served up by the magicians of advertising, the promoters of progress and over-consumption. Unfortunately, these inventions are outmoded all too quickly. They break down, often taking with them that which is essential to our lives and happiness, the elements needed to sustain the real miracles accomplished by nature."
The utopian vision of a lunar spacecraft voyage that will affect life on Earth.
John Whitney’s pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art. Like many other computer graphics pioneers, this film suggests roots in psychedelics and spiritual quests as much as engineering and mathematics. Preserved by the Academy Film Archive in 2007.
元タイトルは『グー2号』で、日本のインディーズアニメの創始的な作品とされている。石や家、周囲の自然景観は絶えず変化している。
利用线和面趋向会合的视错觉原理,以现实的手法在两维的平面上刻画三维物体的艺术,被称作“透视画法”,它提供了一个对物体或景色的三维观察视角。 Georges Schwizgebel讲述何为“透视画法(Perspectives)”,用的却是一段约两分钟的影像和一段流畅配乐。舞台上将众多焦点集于一身的女模特,从其它的视角去看,有可能是一个正在运动的男人或奔跑的猛兽形象,此物与彼物可以是同一个物体,不过观众观看的角度有异而已。
第7話「たとえ我が命つきるとも」のブロウアップ再編集版。
The psychedelic short is Renzo Kinoshita’s contribution to an educational children’s program aired on Nippon Television.
一个传统的日本寓言,讲述了一个善良的老人、他贪婪的妻子和一只受伤的麻雀。这个故事探讨了贪婪、友谊和嫉妒对角色的影响。
An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
Cycles brings together 16mm film with Stephen Beck’s Direct Video Synthesizer imagery via a proprietary process Beck referred to as “editation.” Beck also composed the soundtrack to the film, which is made of one sequence repeated 12 times, with both artists contributing variations on each pass.
Using the wonderfully artistic sand animation technique, Canadian-American filmmaker and animator, Caroline Leaf, pivots her bittersweet love story of a sentimental owl and a wild young goose around an original Inuit legend. Against all odds, the couple manage to thrive in the vast and desolate Arctic landscapes, watching their offspring grow; however, when the mother-goose and her grown-up chicks start hearing the urgent and thrilling call of the wild, nature will, inevitably, take its course. Is this relationship meant to last forever?—Nick Riganas
蚊子先生觅食无果时,瞧见小蜜蜂正津津有味地吮吸花粉,小蜜蜂饱食过后,它迫不及待地也将头伸向花粉,可是它哪里享用得了那股浓烈的香味呀,幸好,再一瞥,它看到了一个臭臭大脚丫。 蚊子先生正贪婪地吸食美味时,大脚丫的主人冷不丁地一脚把它拍了个半死,不甘心的它将兄弟姐妹们全号召了过来,蚊子多力量大,它们开始想方设法誓死拿下大脚丫,终于,在不懈的努力下,它们占据了酣睡中的大脚丫的主人的身体的各个部位。
Short film of 7 sections with each one using a different experimental film technique.
Faith and John Hubley visualize the spirit of childhood imagination in this slice-of-life short set to recordings of their daughters Emily and Georgia at play.
本动画片根据俄罗斯民间传说故事改编,幽默的动画将恋爱的精髓说尽。 鹭向鹤求婚,鹤眼里只见他的缺点,一口回绝,鹭转身刚走,鹤便觉得他的缺点未尝不是优点,跑去找鹭,说自己有心嫁他,这回是鹭端起架子,说自己改变了注意,鹤气得扭头就走,鹭想了一会,赶紧去追,可是鹤理都不理。雨天让鹤觉得和鹭一起生活会好过一个人孤零零地过日子,再去找鹭,鹭又是一副拒绝的表情……就这样,鹭和鹤在嫁娶问题上反反复复,一会好得恨不得一辈子都不分开片刻,一会又想对方迅速在自己眼前消失。
A short animation film, composed from five stories made by using different animation techniques, directed by Okamoto Tadanari. 1. Oshiire (おしいれ); 2. Doronko (どろんこ); 3. Mokei Hikouki (もけいひこうき); 4. Noraneko (のらねこ); 5. Kakurenbo (かくれんぼ).
第6話のブローアップ版。