Plot Keywords: Surrealism | Country Boy | High Tech | Fleet | Confrontation
The film's orginality lies in its strong graphical effects: he did the drawings with a paintbrush and introduced areas of colour in patches with brush strokes, straight onto the celluloid. His technique superseded the conventional 'hard' figures since the manipulation of the patches of colour diffused the outlines of the characters.
An animated film whose storyline was created by patients in a French mental health clinic. A dentist steals the teeth of poorer patients for rich clientèle until a monkey magician elicits revenge.
Following the events of the first film, Surly and his friends must stop Oakton City's mayor from destroying their home to make way for a dysfunctional amusement park.
本片将电视影像糅合进动画里,讲述了一个老实本分的普通人成为罪犯的过程。 精神萎靡的Vasily Vasilievitch打死两个喋喋不休的妇人,招来邻居围观,他们都不相信他会杀人。警察赶过来,讲了昨天发生的事:Vasily Vasilievitch一如往常上下班回到家,坐在阳台读报时,楼下四个赌博的男人发出巨大的噪音,不过他仅当这为生活中不协调的奏曲;看一部电影时,不知多少层的楼上传来极吵的电视机播放拳击比赛的声音,忍受不了的他上楼有礼貌地和人交涉,无果;再然后,调好闹钟上床休息时,各种奇怪的声音接踵而至,他终变得对些微风吹草动都异常敏感;而好不容易入睡后,一声厉响传入他的耳朵。
《周而复始》跳脱出了传统的线性叙事方式,用不一样的镜头展现一个不一样的世界。 杰克是一名宇航员,然而一次失误他迷失在外太空,他总是能遇到一个神秘人,然后每一次好像又不是同一个人,他们他们似乎彼此连接,杰克发现可能存在一种所谓的突破点,但是神秘人物依旧组织着他……
2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第55名
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string ...
2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第95名。
电子技术深入到人类生活方方面面的未来,人类表达情感的方式机械冷漠,温情和幸福指数也接近于零。 女孩的监护人和女孩一起“听”过女孩父亲高度概括化的来“信”,送女孩上路,路上,两人玩玩闹闹有说有笑,并互相拍照留念。监护人把女孩带到一座到处是闪烁的电子屏和冰冷建筑的巨大工厂,按“信”上的说明,为她拿到一个卡号,随后,女孩在系统程序的安排下上路。女孩进入房间号与她的卡号一样的房间,开始好奇、害怕地打量周围一切,一个声音传来,说“她”是女孩的奶奶,女孩回头,眼见一个长着电子头脑的“怪物”,在和“怪物”的接触中,女孩觉得这个陌生的世界越来越恐怖,她对着监护人的照片,流下眼泪。
某户人家的女主人外出,放下了手中的针线活。不甘寂寞的针头线脑们纷纷跳出针线盒,做起了游戏。蓝色和粉色的毛线分别变成男女两个小人,蓝人把针当作长笛吹奏起美妙的音乐,粉人则随着乐曲载歌载舞。长长的皮尺见此情景也化身长蛇赶来助兴。但是皮尺突然狂性大发,虏走了粉人。蓝人骑上线包化身的骏马,冲上前与长蛇展开搏斗。 经过一番艰苦卓绝的斗争,蓝人终于降伏长蛇,救出了被困的小美人。他们又重新开始了精彩的表演…… 简介来自 豆瓣(https://movie.douban.com/subject/1459453/)
This Academy Award®-nominated short consists of three animated segments (by three different directors) that take a playful look at Christmas: a rendition of "Jingle Bells" in which paper cut-out figures dance, a dime-store rodeo of tin toys and a story of decorating the perfect Christmas tree.
根据傣族叙事诗《召树屯》改编。 的帮助下,二人互订终身。正当举国上下为他们庆祝婚礼的时候,麻哈仙那派巫师到敌国请求发兵进攻勐版加。王子为保卫国家,离开新婚的妻子出发抗敌。王子走后,麻哈仙那买通信使,假造军队连遭失败和王子被围的战报,又叫巫师用算卦来蒙骗国王,把婻麻喏娜说成是万恶的妖魔,是战败的祸根,让国王将她处以死刑。在刑场上,婻麻喏娜变成一只孔雀飞入云端。 随后,王子大获全胜而归,国王又惊又喜,经过对信使的审问,麻哈仙那的阴谋诡计被揭穿。王子深深怀念婻麻喏娜,发誓一定要找到她。这时,金湖女神再次出现,将婻麻喏娜留下的一只金镯交给了王子,并指点他制服了认识去孔雀国的道路的怪鸟。而后,怪鸟驮着王子经过火山来到孔雀国,王子受到孔雀国国王和王后的欢迎,并和心爱的婻麻喏娜团聚。
奇妙的想象,歌者娓娓道来,节奏轻缓舒适,画面亦真亦幻,心灵仿佛也跟着片中的小狗一起开启了浪漫美妙的旅程,无拘无束,任自遨游。
Plot Keywords: Fairy Tale Award: Annecy International Animated Film Festival Year Result Award Category/Recipient(s) 1963 Won Grand Prix Jirí Brdecka San Sebastián International Film Festival Year Result Award Category/Recipient(s) 1964 Won Golden Seashell Best Short Film Jirí Brdecka
To the sound of trumpets, a collection of pulverised antique bric-a-brac begins to reassemble itself, revealing a stuffed owl, a cornet, a hamper, books, a doll, a plate - and a bomb... —Michael Brooke
连尼卡有动画鬼才之称,他的作品充满黑色调,常令人发恶梦的场景。《迷宫》是他的第一部代表作,一个长着翅膀的人,在一个陌生的城市降落,诡异的城市怪兽横行,诡异的事物随后一个接一个发生了……这是一个长着翅膀的孤独男子自我意识上的卡夫卡事的故事。影片怪异、荒诞,却毫不夸张地表现了被极权主义规则残害吞噬的景象。 导演试图建立一个新的实验电影,凝聚当代艺术抽象拼贴画,暗喻和超现实主义,粗糙简单的材料在这些电影传达同时威胁一个荒谬的无序的宇宙。这个作品被认为是动画电影史上反映政治题材最出色的作品之一。
When a princess is shrunken by an evil wizard, Sinbad must undertake a quest to an island of monsters to cure her and prevent a war.
Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.