俩个小蛆竟然成了英国动画界宠儿,分别在BBC2节目休息间隙和电影《鼠国流浪记》中出现。 https://www.youtube.com/watch?v=loJ_dLQKFek
Rick Sandchez descends from a family of treasure-seekers who've all hunted for the same thing: a war chest hidden by the Founding Fathers after the Revolutionary War. Ben's close to discovering its whereabouts, as is his competition, but the FBI is also hip to the hunt. 第三季“精致死尸”特别拼贴款宣传片
船开动前几分钟,港口一派热闹的登船送别景象,芭蕾女伶在人群中急匆匆地穿行,还是没能赶上开船的脚步,只见她一跃腾空,优雅地落在船尖。 芭蕾女伶从房间来到甲板,边看书边练习芭蕾动作,引起了好几位导航员好奇的的模仿,他们甚至忘了自己手头的工作,随着芭蕾女伶的动作越来越复杂优美,聚焦在她身上的目光也越来越多,众人都不自觉地模仿她的动作,给船的按部就班航行带来了阻挠。芭蕾女伶意识到这点时,优雅地欠身表示歉意,退回自己的房间。晚上,狂风大作,船眼看要被大浪打翻,这时,芭蕾女伶再次优雅现身,用自己的聪明挽救了一船人的性命。
Quartier des Spectaclesとカナダ国立映画制作庁のパートナーシップの枠組みで、ノーマン・マクラレンの『色彩幻想』(1949)の抜粋を用い制作した。『色彩幻想』がイブリン・ランバートとの共同制作であることから、同様に、妻早苗(抽象画家)とのコラボレーションで再現を試みる。35mmフィルムに直接描かれた『色彩幻想』にならい、券売機用の長いロール紙にドローイングを描き、視覚的音楽を構築する。音楽は「クリスマスクラッカー」と「クリスマス郵便はお早めに」と題されたマクラレンの初期作品から2曲を使用。鐘の音とオルガンの賛美歌によって、マクラレンの生誕100年を祝う。
《DL2》反应了30年代晚期到40年代早期由László Moholy-Nagy引入芝加哥的包豪斯运动所带来的巨大影响。这部作品用了大量10英尺长的未曝光黑白胶片,依次浸入冷水、定影液、热水、显影液后重复操作。导演Janiak将处理后的胶片组接成他说称作的“有趣的序列”,有选择性地用各种不同的颜色凝胶进行上色,仔细地标记各种颜色段落然后以不同的播放速率重复组接起来。
Jan Lenica’s semi-autobiographical movie about a life of a man under the number “44”. He experiences bureaucracy, abusive step-parents, and oppression from the government and society. In the end, he tries to get away to the “lost paradise”.
Tells how the Lone Ranger hooks up with Tonto. With Lenny Bruce doing all the voices, this animation of a Bruce routine begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request.
The story “Alice in Wonderland” is used as a metaphor about the dangers of accidental drug use among children. Curious Alice’s trip to Wonderland is not through the rabbit hole, but rather through her home, where the medicine and kitchen cabinets hold substances of lure but danger. After ingesting one of these substances, Alice, now in the Wonderland of her mind, has an altered sense of reality. In her new psychedelic world, she is exposed to more and more drugs, which she may take based on her impaired judgment from the initial drug use.
本部无对白实验动画短片,又是实验动画先锋导演乔治·史威兹贝尔的一部极具个人特色的作品。在这几分钟的光影里,影片用手绘招贴画的笔触风格,解构又重构着周围世界的一切。在超特写的镜头里,数字被分解成若干的笔画,又在超远景的构图中重组成相同的诸多个体;奔跑着玩手球的少年,鸣奏交响乐的交响乐团,时空就这样毫无关联却神奇无比的转换着,而这一切的流动影像如此流畅而自然,给人以超强的镜头感和空间感。本片的另一大特色就是强烈的音乐性,虽然没有对白,但是跟随背影音乐的高低,我们似乎也进入到了乔治为我们构筑的绚丽的超时空世界。
红小兵小刚告诉李国华:小玲等三个小姑娘在跳橡皮筋时唱坏儿歌,说什么读书没有用。李国华以为这是受了坏人的影响,就将此事汇报给了校外辅导员周大伯。 在周大伯和陈老师的帮助下,李国华等红小兵们通过调查研究,揭露了向青少年散布坏思想、破坏教育的黄一郎,批判了“读书无用论”,用毛泽东思想占领了校外阵地。
少年正在房间中玩模型玩具,一只映入房间的蝴蝶的剪影将他吸引,扭头看时,他被蝴蝶的美丽震住,抓起网兜跑下楼想把蝴蝶捉住。少年随着越飞越远的蝴蝶跑了许多地方,终在一片花丛中将它捕获放入玻璃瓶中,随后,他又捉了好几只美丽的蝴蝶。 少年躺在花丛中进入梦乡,他看到一只特别漂亮的蝴蝶,兴奋地抓起网兜去捕,谁想蝴蝶和网兜同时越变越大,跑不及的他反成了蝴蝶的网中之物……梦醒之后,少年意识到自己做了错事。
Homage is paid to five classic arcade games. Enjoy Centipede, Frogger, Asteroids, Space Invaders, and Pac-Man games. All are aimed at evoking nostalgia for the intense arcade experience that spawned the billion dollar industry in the late 70s and early 80s.
Executed with Disney-like animation by one of Soyuzmultfilm’s leading directors of films for children. “Plus Electrification” triumphs the USSR’s drive to bring lectricity to every town and village. It was a tenet of Vladimir Lenin that electrification plus oviet power [vlast] would lead to Communism. Electricity is shown dramatically uniting the economies of USSR and the Eastern bloc countries through production of consumer goods like Czech crystal and Hungarian buses.
A song sets the tone, followed by an animated collage in which Super 8-film, photographs, drawings, slides, detritus and fragments from musi c and popular culture are used and processed. A mobileand intense portrayal of a changing country, America, America was Åsa Sjöström’s exam film at Royal College of Art in London in 1972. (Filmform)
International Conference on Computer Graphics and Interactive Techniques archive ACM SIGGRAPH 2006 Computer animation festival Michael Theodore 's "Color Dream no.246" is "as pure a piece of abstract animation as you'll find, consisting entirely of one long shot of undulating, scintillating, shifting washes of color."
本短片用拼贴手法将现实中的新闻照片糅合进由简练线条勾勒的动画里,讲述了所谓的现代文明是多么喜欢不理不睬孤立无缓的小人物。 一个被困在某个荒岛的落难者向路人求救,一艘艘船、一个个人从他面前经过,都是要么当作没看见,要么好奇地打量一番扬长而去。后来,某个国家的军队野蛮地插上国旗,将该荒岛视为本国领土。接着,媒体蜂拥而至,对他问长问短;科学家纷纷到访,拿他做实验品;旅游者一时兴起,向他推销各种无用的广告;资源开发商瞧见商机,将该岛资源采劫一空。没有人注意到,这位无助的落难者只想离开这座荒岛,回到自己的家。 短片揭露了资本主义社会对人的残酷和冷漠。
Зима. В лесу живут Лиса и Заяц. Первая живёт в «ледяной избушке», второй — в «лубяной». Лисья избушка красивее, но — вот беда! — по весне она тает, и Лиса решается на захват жилища Зайца. Используя преимущество в физической силе, она достигает этого без особого труда, и бездомный Заяц идёт «куда глаза глядят». На его пути встречается Волк, который, неожиданно проникнувшись бедственным положением Зайца, решает помочь ему выгнать захватчицу, но Лиса, используя словесные угрозы, прогоняет и его. Затем история повторяется при встрече Зайца с Медведем. Следующим ему пытается помочь Бык. И опять-таки безуспешно. Потом Зайцу встречается Петух, который также отправляется выгонять Лису-захватчицу. Используя свою саблю и храбрость, он выгоняет Лису, и остаётся жить вместе с Зайцем. 简介来自俄文维基百科。
Unravel the secrets surrounding Talon's shadowy scientist: Moira.
Miss Fritter’s Racing Skoool is a 2017 Pixar computer-animated short created for the Blu-ray, 4K Ultra HD and DVD of Cars 3, which was released in the United States on November 7, 2017. The short, set in the Cars world, follows the "blindsided testimonials from the Crazy 8’s, touting the transformative impact Miss Fritter’s Racing School has had in reshaping the direction of their lives".