王様は美しい声で鳴くナイチンゲールを大切にしていたが、宝石で作られた小鳥を贈られると、ナイチンゲールのことを忘れてしまう。しかし、病気で倒れた王様を死神から救ったのは、ナイチンゲールの歌声だった。
桃から生まれたももたろうは、おじいさんとおばあさんに育てられ、たくましい子どもに成長した。ある日、村を荒らした鬼を倒すため、犬、猿、雉をお供に連れ、鬼が島を目指して旅に出る。
It was a mix of photography and animation and it took up my whole vacation - sixteen hours a day. I analysed, through a film camera, a loop of thirty-six squarish black-and-white photographs representing a human being moving in a circle. What was the logic of my analysis? I decided to photograph the loop on film and repeat it thirty-six times. During every new repetition I divided the film window which I made in the shape of a square so that in every circle there was an increasing number of subdivisions; today I would say different resolutions. I put a white square of paper in the subdivisions where in the photograph there was a part of a figure; where there was not, I put a black square. I had to rearrange the white and black squares at least a hundred thousand times. On the lens I put a color filter, and then rotated it - but I don't want to bore you. What is most important about this is that not being aware of computer imaging - it was 1970, in Poland - I manufactured my own digitalê processing on film. Strange that I needed twenty-six years of work - including my work during all my next twenty five vacations - to come back to Kwadrat with full awareness and understanding of why.” - Zbig Rybczynski
荣誉:1973年奥伯豪森国际短片电影节银奖 导演点评:我先完成了作画,然后请冨田勲先生用电子合成器配了乐。电子合成音乐在当时可是最新潮的玩意儿。
导演点评:本作为实拍逐帧影片。我搬家后,将原来住的地方又续租了一个月,然后在空空如也的房间里长时间设置了摄影机,拍摄了这部作品。
A fantasy where children's building blocks and music effects do everything. Blocks represent the make-believe city and the two children who play in it. Blocks even act out the story when an angry dragon appears on the scene, while music scores the action. This is puppet theater reduced to its simplest form. 简介来自 IMDb
RAINDANCE plays directly on the mind through programmatic stimulation of the central nervous system. Individual frames of the film are imprinted on the retina of the eye in a rhythm, sequence, and intensity that corresponds to Alpha-Wave frequencies of the brain. Preserved by the Academy Film Archive in 2010.
Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery. There are perils: a boy falls, a lion roars. The lyric flights of hot-air balloons, flying machines, and dirigibles, and their accompanying music of the spheres, are sometimes interrupted by a jangling buzz. Circus images take over. Then, mechanical rhythms abound while a balloon-headed doll, perhaps alien, moves through a jungle scene. We end in a garden.
Osvaldo Cavandoli,1920年生于意大利的Maderno。不久举家搬到米兰。长大后,他在Alfa Romeo做了四年技术设计员。23岁时,他进入动画领域为Pagot studio工作。1950-1958期间,他作为一个独立木偶制片人和导演。在1969,他创作了使他文明全球的角色:La Linea。这个有趣的角色大量出现在广告中,并且后来成为独立影片。这些影片在超过40个国家上映,荣膺了很多奖项。1974年Cavandoli为这个角色制作了一个漫画版本。1997年La Linea正式出现在意大利电视上。
Production Co: National Film Board of Canada (NFB)
红小兵小刚告诉李国华:小玲等三个小姑娘在跳橡皮筋时唱坏儿歌,说什么读书没有用。李国华以为这是受了坏人的影响,就将此事汇报给了校外辅导员周大伯。 在周大伯和陈老师的帮助下,李国华等红小兵们通过调查研究,揭露了向青少年散布坏思想、破坏教育的黄一郎,批判了“读书无用论”,用毛泽东思想占领了校外阵地。
Too many myths and too few facts.
少年正在房间中玩模型玩具,一只映入房间的蝴蝶的剪影将他吸引,扭头看时,他被蝴蝶的美丽震住,抓起网兜跑下楼想把蝴蝶捉住。少年随着越飞越远的蝴蝶跑了许多地方,终在一片花丛中将它捕获放入玻璃瓶中,随后,他又捉了好几只美丽的蝴蝶。 少年躺在花丛中进入梦乡,他看到一只特别漂亮的蝴蝶,兴奋地抓起网兜去捕,谁想蝴蝶和网兜同时越变越大,跑不及的他反成了蝴蝶的网中之物……梦醒之后,少年意识到自己做了错事。
Executed with Disney-like animation by one of Soyuzmultfilm’s leading directors of films for children. “Plus Electrification” triumphs the USSR’s drive to bring lectricity to every town and village. It was a tenet of Vladimir Lenin that electrification plus oviet power [vlast] would lead to Communism. Electricity is shown dramatically uniting the economies of USSR and the Eastern bloc countries through production of consumer goods like Czech crystal and Hungarian buses.
2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第62名。
《小黑卡利麦罗》是由日本和意大利合作,制作在日本进行,1992年放映了新的续集。卡利麦罗是只乌黑的小鸡,它的特征是头上戴着蛋壳。除了卡利麦罗和普莉西拉,还有称作罗西塔、朱里亚诺、彼特、苏姬的朋友。然后6人组成称为绿色小组的电视取材团,为了充满正义感的报道,果断冲向各种各样的危险地方
A song sets the tone, followed by an animated collage in which Super 8-film, photographs, drawings, slides, detritus and fragments from musi c and popular culture are used and processed. A mobileand intense portrayal of a changing country, America, America was Åsa Sjöström’s exam film at Royal College of Art in London in 1972. (Filmform)
北海道を舞台に養護施設で育った少女と周囲の人びととの交流と運命を描く少女漫画「ユキの太陽」のTVアニメ化検討用パイロットフィルム。原作はちばてつやで、1963年「少女フレンド」に連載された。宮崎駿が初めて監督として取り組んだ短篇。結果TV化には至らなかった。2013年12月26日より2014年1月13日まで、全国のイオンシネマ76館限定で「かぐや姫の物語」の上映前の幕間にデジタル上映された。
Just watched this on the National Film Board of Canada site where they have about 300 of their material presented for your enjoyment. Having previously viewed and commented on a couple of shorts associated with animator Ryan Larkin, I was excited when Street Musique was presented on the NFB site twice in both French and English title form (otherwise, it's the same film). Starting with black-and-white live-action of a fiddle player and a mandolin player performing on a downtown sidewalk, Larkin then does abstract line drawings on white that become images that are very hard to describe. He then does some watercolor (at least that's what I think it is) images that are likewise. All this is done to the music of those two players that matches the drawings perfectly. Nothing else to say except for anyone who loves abstract animation, I highly recommend Ryan Larkin's Street Musique.
第27届戛纳电影节(1974) 主竞赛单元 短片 金棕榈奖(提名)